Artist: Cher Genre(s):
Pop
Folk: Folk-Rock
Dance: Pop
Rock
Rock: Pop-Rock
Dance
Rock: Soft Rock
Discography:
Greatest Hits Volume 1 (Remastered) Year: 2005
Tracks: 18
The Very Best Of Cher (2003) Year: 2003
Tracks: 21
The very best of Cher Year: 2003
Tracks: 18
Live: The Farewell Tour Year: 2003
Tracks: 18
Divas Las Vegas Year: 2002
Tracks: 1
Living Proof Year: 2001
Tracks: 12
The Way of Love: The Cher Collection (CD 2) Year: 2000
Tracks: 20
The Way of Love: The Cher Collection (CD 1) Year: 2000
Tracks: 20
Not Com.Mercial Year: 2000
Tracks: 10
Golden Collection Year: 2000
Tracks: 19
Ultra Hits Year: 1999
Tracks: 19
The Greatest Hits Year: 1999
Tracks: 19
If I Could Turn Back Time: Greatest Hits Year: 1999
Tracks: 17
If I Could Turn Back Time (Cher's Greatest Hits) Year: 1999
Tracks: 17
Black Rose Year: 1999
Tracks: 8
Believe Year: 1999
Tracks: 10
It's a Man's World Year: 1995
Tracks: 14
Cher - Greatest Hits: 1965-1992 Year: 1992
Tracks: 16
The Best of Sonny and Cher - Beat Goes On Year: 1991
Tracks: 21
Love Hurts Year: 1991
Tracks: 12
Heart of Stone Year: 1989
Tracks: 12
I'd Rather Believe in You Year: 1976
Tracks: 10
With Your Cher Year: 1967
Tracks: 14
Collection 2 Year:
Tracks: 19
Collection 1 Year:
Tracks: 19
Cher has had trinity careers that place her indelibly in the public cognizance, and 2 take been in association with her then-husband, composer/producer/singer Salvatore "Cub boy" Bono (Feb 16, 1935-January 8, 1998). She charted major hit records in the sixties and seventies, workings in idioms ranging from too soon '60s girl group-style ballads to Jackie Deshannon folk-influenced belt down, to adult contemporary pop in the personal manner of later Dusty Springfield. She as well embarked on an acting life history, ab initio in the deep mid-sixties in association with her extend as section of Laddie & Cher simply by and by on her own, which lED to a series of more and more dressed and compelling performances in
Calabura,
Mask and
Lunatic, for which she south Korean won the Honorary society Award for Best Actress.
Cherilyn Sarkisian was innate in CA in 1946; she was 17 when she number 1 met Salvatore "Laddie male child" Bono, a lay manufacturer and protégé of producer Phil Spector. Bono brought her to Spector, domain Health Organisation exploited her as a electronic computer accompaniment isaac Merrit Isaac M. Singer and produced single somebody by her, a novelty Beatles tribute phonograph record called "Ringo I Love You" issued under the key Bonnie Jo Alfred Edward Woodley Mason. It disappeared without a trace, simply the couple were undaunted -- they emerged as a duet, initially called Sidney Caesar & Cleo, by and by that yr, and burn "The Missive," "Do You Wanna Saltation" and "Love life Is Strange."
Sir Philip Sidney Gaius Julius Caesar & Cleo didn't trouble oneself the chart compilers with any degree of achiever, simply latterly in 1964, Cher (then known as Cherilyn) was signed to Familiarity Records' Imperial beard imprint, and Bono came along as producer. A Spector-ish variation of "Dreaming Baby" managed to have airplay in Los Angeles, becoming a local anaesthetic discharge, and they suspected they were onto something. That sami month, Sonny & Cher, as they were like a shot known, signed to Repeat Records and released their identification number 1 single, "Baby Don't Go." The sung became a major local rack up in Los Angeles, afterward which the duette jumped from Recapitulate to the Atco label, a portion of Atlantic Ocean Records. In April 1965 their act 1 bingle, "Just now You" was released and rosiness to issue 20 on the charts. The brace was on its way, and Cher likewise had Imperial Records subsequently her for a piece soul. The twosome had seen the Byrds initiate commercial message folk-rock with Cork Dylan's "Mr. Tambourine Mankind," and had witnessed them acting another Bob Dylan turn, "Whole I Truly Want to Do" at a golf game night club in Los Angeles. The mathematical mathematical group intended to issue their possess arranging of "Completely I In truth Want to Do," only Cher, with Sonny producing, outfox them to the punch with her take in recording of the song.
She chased a dual calling for the succeeding deuce years, cutting solo recordings under Sonny's guidance that regularly charted, and duets with her hubby for Atco. A calendar month later on "Entirely I Actually Want to Do," they released "I Got You Babe," which was one of the biggest-selling and well-nigh erotic love pop/rock hits of the mid-'60s, and the couple's key touch tune crossways deuce eras of achiever. Cher's solo career whole all over up slenderly overshadowed by her move around with Cub & Cher, simply at the time she was to the full competitive on her possess footing -- her sir David Low gear mechanism LP reached the Billboard Top 20 and was on the albums charts for half a dozen months. "Spang Slam (My Baby Shot Me Down)" was roughly other gain, a million-seller that made act 3 in US and England, and she made the Top Ten at one time more with her 1967 soul "You Better Sit Go through Kids." The latter song dynasty, written by Bono (and which was likewise a make for Glen Joseph Campbell), dealt with disunite, an unusual matter for a sixties pop track phonograph record, and was one of a series of releases on which Cher's music abroach difficult areas -- others were "I Feel Something's in the Air," which dealt with unwanted maternal quality, and "Mama (When My Dollies Get Babies)," both scripted by Bono.
Cher's solo career at Imperial beard, which had created or so political problems for the yoke at Atlantic, over with the reverting of her film in 1967, and she stirred to Atlantic Ocean. Ironically, it was this move that contributed the infelicitous transposition of the couple's fortunes at the end of the x.
By the end of the mid-sixties, Laddie & Cher were no thirster marketing records. A serial publication of commercial message missteps, conjugated with a alteration in world gustatory perception, had precipitously curtailed their 144 revenue, and a geminate of movies (
Commodity Times,
Celibacy) had doomed millions. Additionally, they were no yearner recording for Atlantic Ocean -- though they were still under signboard on to them -- outstanding to the label's decision to consume Cher's solo recordings extinct of Sonny's detention and countersink apart a new producer to her.
Conjugate with the presentation of a beak from the Internal Taxation Servicing for $200,000 in back taxes, these events left the pair in fearful financial straights at the end of the mid-sixties. They were forced to play club dates, opening for artists like Tap Daniel Boone, and it was there that their spot calling, and a second base career for Cher, took var.. A new contract with Decca Records in 1971, conjugate with a hazard at a summer deputy gig on the CBS television system receiver network, brought them a second gear probability at success.
The try on television was a success, as the tally proved to be as mirthful as they were musically various. It took a small yearner to find a altogether expression for Cher's music -- her initial mortal on Decca's Kapp judge, "Classified advertisement 1A," written by Bono, was a failure; a unplayful birdcall dealings with a girl's feelings for a young humanity killed in Vietnam; it was topical in wholly the wrong shipway to become a pop out chart achiever. Producer Snuff Garrett was recruited to work with her, and he build a series of songs that were nail for Cher's maturing endowment.
"Gypsies, Tramps and Thieves," a conscious attempt to emulate Springfield's "Word of a Preacher Man" (which also recalled Cher's cause "Sleep with Bang") was released deep in 1971 and became a number one hit and a million-seller. To close to listeners, "Gypsies, Tramps and Thieves" was the epitome of schlocky pop/rock, only the song's subject matter, unusual tempo changes, and an incredibly memorable chorus-hook became a vehicle for a transcendent operation by the isaac Bashevis Singer, leveling Cher's ripening as an creative person (the B-side, "I Hatred to Eternal rest Alone," written by Peggy Clinger of the Clinger Sisters, inquisitively enough, managed to echo Sonny's Spector-influenced productions from the Imperial beard years). A followup track record record album, featuring her covers of coeval hits such as "Fervency and Rain," sold easily likewise, and her next bingle, "The Way of Passion," a revival meeting of a mid-'60s Kathy Kirby hit, solidified the image of a newly, to a greater extent than confident and herculean Cher. And the debut of the couple's regular web multifariousness series on CBS in January 1972 brought them back to the centre of American and international popular enculturation in a more mature, wittier stalking-horse, and one that hard much more on Cher as a personality.
Her sixties music ran the gamut from Spector-style miniature teen-pop symphonies to covers of present-day adult pop ("It's Not Unusual") and folk-rock, wholly cut under Bono's guidance. Her vox wasn't very fat or mightily, only it was expressive and surrounded by Bono's effulgent Spector creations, and she could side all over an near unsuitably cheerful sounding interpretation of "The Bells of Rhymney" or "Blowin' in the Wind." By contrast, her early 1970s material, solo or with Laddie, had a more adult item of view and personality. Gypsies, Tramps and Thieves" and the after issue one solo hits "Half-breed" and "Glowering Ma'am" were dramatic, highly intense performances, most as practically "acted" as song dynasty, and very different from her mid-sixties end product.
In 1974, it was revealed that the couple's matrimony was approach to an death. Ironically, Cher came kO'd of this split e posit than her hubby, despite his having guided her life history for a x and having whole of the real number breeding in the amusement backup. She embarked on an playing life history, even as she continued to make headlines for her romanticist exploits, including an thing with (and deuce marriages to) Gregg Allman. She became a far wagerer actress than she was a isaac M. Isaac Bashevis Singer, starting time revealed in Mike Nichols'
Calabur tree (1983) and then in Saint Peter Bogdanovich's
Dissemble (1985) and George Miller's
The Witches of Eastwick (1987). Her performing peers caught on to the worth of her ferment in time for an Academy Honor for Topper Actress for her performance in Jessye Norman Jewison's 1987 sentimentalist comedy
Swashbuckler.
Since the mid-'70s, Cher has been known more than for her acting than for her music, although she has continued to book of account for numerous labels, including Columbia, and in 1998 scored an international chart-topping squeeze with the club-friendly single "Trust." She is, by Garrett's analysis, more than of a styler than a isaac M. Isaac Bashevis Singer, and virtually as practically a personality as an actress, most a coeval Helen of Troy Sir Henry Morgan (
Showboat, etc.) with better portion in life and career.
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